The Bill Munns Creature Gallery represents 35 years of my work in varied fields of movie makeup effects, museum exhibit models, theme park robotics, and paleontology studies that included visualizations of prehistoric wildlife. Most recently, my knowledge of fabricating creature suits has been applied to the analysis of the classic cryptozoological mystery seen in the famous 1967 Patterson Film, and the debate of whether the figure in that film is a real Bigfoot or a human in a fabricated fur suit.
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